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I love to notice the plants that aren’t just growing from the forest floor
Elegant toroidal forms pair together in an infinite array of arrangements including the number eight for this year's collection number
designed in the 1960s
At once elegant and modern
a delicate mix of botanicals is added and then sweetened with real cane sugar
#89 Extra Small Kokeshi Vessel S26 I love to notice theAkio Nukagas work explores the possibilities of how he leaves a trace of himself in clay. This piece features his signature Pleated Work technique of carving grooves into the wet clay after it is thrown on the wheel. The forminspired by traditional kokeshi dollsis accentuated by these grooves curving down the profile of the vessel creating movement and rhythm. After the first firing and before the second, he finishes the vessel by applying different