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About The End of Industry
separating black and white photographs from colour photographs
Zeche Westfalen I/II Ahlen by Naoya Hatakeyama
we have journeyed into each other’s psychological landscapes as we have explored what our relationship means
The resulting images are compelling and dynamic
Deana Lawson Charles Dickens About The End of IndustryThird impression in new condition. One of the most intriguing photographers of her generation, Deana Lawsons subject is black expressive culture and her canvas is the African Diaspora. Over the last ten years, she has created a striking visual language to describe black identities, through figurative portraiture and social documentary accounts of ceremonies and rituals. Lawson works with large format cameras and models she meets in the United States